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	<title>Electric Shuttersounds &#187; Canon 17-55mm f/2.8</title>
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	<description>Photographic adoxography at its finest</description>
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		<title>Tamron 17-50mm f/2.8 VC: An image-stabilized, midrange crop lens for the masses</title>
		<link>http://shuttersounds.thedailynathan.com/2009/10/20/tamron-17-50mm-f28-vc-an-image-stabilized-midrange-crop-lens-for-the-masses/</link>
		<comments>http://shuttersounds.thedailynathan.com/2009/10/20/tamron-17-50mm-f28-vc-an-image-stabilized-midrange-crop-lens-for-the-masses/#comments</comments>
		<pubDate>Tue, 20 Oct 2009 09:11:35 +0000</pubDate>
		<dc:creator>Nathan Yan</dc:creator>
				<category><![CDATA[General]]></category>
		<category><![CDATA[Canon 17-55mm f/2.8]]></category>
		<category><![CDATA[image stabilization]]></category>
		<category><![CDATA[midrange zoom]]></category>
		<category><![CDATA[Nikon 17-55mm f/2.8]]></category>
		<category><![CDATA[Tamron]]></category>
		<category><![CDATA[Tamron 17-50mm f/2.8 VC]]></category>
		<category><![CDATA[Tamron SP AF 17-50mm f/2.8 XR Di II VC LD Aspherical [IF]]]></category>
		<category><![CDATA[vibration control]]></category>

		<guid isPermaLink="false">http://shuttersounds.thedailynathan.com/?p=412</guid>
		<description><![CDATA[When it comes to midrange lenses, there&#8217;s a few different approaches. Of course, a lot of people start at the low end with an 18-55mm kit or so, but eventually most people graduate and there are pretty much two ways to go: A small range, high-quality, high-aperture zoom. A large range ultrazoom with (usually) lower [...]]]></description>
			<content:encoded><![CDATA[<div id="attachment_416" class="wp-caption aligncenter" style="width: 438px"><img class="size-full wp-image-416" title="tamronspaf17-50mm2-8vc_pr" src="http://shuttersounds.thedailynathan.com/wp-content/uploads/2009/10/tamronspaf17-50mm2-8vc_pr.jpg" alt="" width="428" height="600" /><p class="wp-caption-text">The Tamron 17-50 f/2.8 VC - currently one of only two f/2.8 midrange zoom lenses on the market, and the only one under a grand ($650 to be exact)</p></div>
<p style="text-align: left;">When it comes to midrange lenses, there&#8217;s a few different approaches. Of course, a lot of people start at the low end with an 18-55mm kit or so, but eventually most people graduate and there are pretty much two ways to go:</p>
<ol>
<li>A small range, high-quality, high-aperture zoom.</li>
<li>A large range ultrazoom with (usually) lower quality and smaller aperture</li>
</ol>
<p>One of the advantages where ultrazooms seemed to gain the leg-up on large aperture zooms was in the image stabilization department, where nearly every single ultrazoom lens does, but up until recently only one large aperture crop lens (Canon&#8217;s $1000+ 17-55mm f/2.8 IS) did.</p>
<p>That left just one (very expensive) option for Canon users, and Nikon users completely out in the cold (they pay $1300 for a 17-55 f/2.8 <strong>without VR</strong>). Third party manufacturers, have as always had cheaper alternatives, such as Sigma&#8217;s 18-50mm f/2.8 and Tokina&#8217;s 16-50mm f/2.8, but all of these lacked any sort of stabilization as well.</p>
<p>Now finally, Tamron has gone ahead and introduced their VC stabilization to their flagship crop standard zoom, the 17-50mm f/2.8 (or rather, <a href="http://www.tamron.com/B005special/lineup/b005/index.html">Tamron SP AF 17-50mm f/2.8 XR Di II VC LD Aspherical [IF]</a>), which finally delivers a large aperture, image-stabilized standard zoom for an affordable price ($650 currently).</p>
<p>It&#8217;s only knock is that it doesn&#8217;t yet have the fast USM or SWM-based autofocus of the Canon or Nikon models, although it&#8217;s a feature I&#8217;ve long-regarded as over-rated for standard zooms for most people&#8217;s actions.</p>
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